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Furniture is a practical instrument in life. It can be understood not only by means of telepathy. It needs to be truly touched before it can discover its truest appearance.

In addition to the above-mentioned many collectors, there are also a group of scholars from the West who have come to this faraway foreign land, lived and studied here, and have experienced such precious China in the unique environment of purchasing Tibet at that time. Furniture culture. And spare no effort to bring it back to their homeland, but also to write down the beauty that has been seen, or organize exhibitions presented to the world.

Regardless of the process, we are still grateful for these precious writings.

"Chinese Furniture", Xie Siqi, published in 1922.

Xie Siqi: Studying the Beginning of Chinese Furniture——《Chinese Furniture》

Herbert Cesinsky, born in England in 1875, is a famous writer and architect. He has a profound study of the development of British furniture and has written several books for this purpose.

At the same time, he is also a scholar of Western comparative studies on Chinese furniture. As early as 1922, he published a book entitled "Chinese Furniture". It contains more than 50 pieces of Chinese Ming and Qing furniture collected by collectors from France and Germany. The publication of the book is very small, and it is not easy to see it except for some museums.

Xie Siqi’s research book can be regarded as the first album about Chinese furniture in the world. It was more than 20 years earlier than Gustav Ike’s “Chinese Rosewood Furniture Test” and was also listed as a bibliography by the latter. one.

Immediately after Xie Siqi's work, the sequel to the German scholar Maurice Dupont, "Les meubles de la Chine," was published in 1926 as a continuation of the former.

Taking this as a starting point, there has been an increase in the number of related studies on classical Chinese furniture in the West.

The Nelson-Atkins Art Museum of the United States holds Chinese furniture and Lawrence Seakman has served as the curator of the museum for 25 years.

Lawrence Seakman: A Unique Chinese Art Purchase

Laurence Sickman (1907-1988), American scholar, art historian, sinologist. In 1953 he was appointed curator of the Nelson-Atkins Museum of Art in Kansas City for 25 years.

As early as a high school student, Lawrence Seakman began to be interested in Japanese and Chinese art. From 1930 to 1935, he had the opportunity to travel to China and acquired a large number of ancient Chinese artworks during this period. In 1945, as the first batch of U.S. troops entered Beijing, he purchased a batch of Ming and Qing treasures by borrowing military custody in charge.

Opened in 1933, the Nelson-Atkins Museum of Art is one of the most famous art museums in the United States. It is famous for its collection of exquisite Chinese ancient artworks, especially Chinese paintings and calligraphy. These collections benefited more from the early acquisition of Tibet by the head of Lawrence Seakman.

"Chinese Home Furniture" by Georges Gates, published in 1948.

George Gates: Attention to "Chinese Home Furniture"

The American scholar George N. Kates (1895-1990) was born in Cincinnati, United States in 1895 and was the curator of the Oriental Art Museum of the Brooklyn Museum.

Since 1933, Georges Gates has stayed in China until the Pearl Harbor incident before returning to the United States. From 1943 to 1945, he came to China again. During this period of more than seven years, he has mastered fluent Chinese speaking and writing skills, has been able to observe China's life in a more in-depth perspective, and has laid a solid foundation for his future works.

In February 1946, the Brooklyn Museum of the United States opened a precious furniture exhibition covering the Ming and Qing dynasties of China. The furniture was purchased and transported back to China by George Gates and his friends during their trip to China. It involved various specific categories.

In 1948, the book “Chinese Household Furniture” written by Georges Gates was published. A total of 112 pieces of Chinese furniture catalogues were included. The dimensions, materials, and years were described in detail. This is an important work in the history of Chinese furniture research, which has expanded the scope of Chinese furniture research to furniture in everyday life.

"The British Victorian Museum of Alberta Hides Chinese Furniture", Corrigan (translated in the book as Craig), published in 2009.

Prof. Kolinger: "An Expert of Ming History" Whose Works are Rich

Craig Clunas was born in Aberdeen, Scotland, in 1954. He is an important scholar of the contemporary study of the history of material civilization in China. He is currently a professor of art history at the University of Oxford in England.

Prof. Kolinger went to Beijing to study Chinese in 1974. Later he obtained bachelors (1977) and Ph.D. (1983) respectively from the Eastern Institute of Cambridge University and the School of Asian and African Studies, University of London. Since 1979, he has been a senior researcher and curator at the Victoria and Albert Museum in the United Kingdom for 15 years. The Victoria Abbott Museum is rich in Ming-style furniture. In addition, there are a large number of Chinese arts and crafts. Correz immersed himself in this and polished his eyesight. He has experience in wood ware, lacquer ware, jade and porcelain. Books on Chinese gardens, exporting goods and furniture, the book “The British Victorian Albert Museum Collecting Chinese Furniture” became one of the most famous Western furniture in China.

Prof. Kolinger learned more and learned more about Chinese traditional books and records and his academic achievements have been widely praised by international academic circles. He specializes in the history of Chinese art, especially the Ming Dynasty art and culture in China. He has published many books for decades. The book “Long Things: Material Culture and Social Status in Early Modern China” (Superfluous Things: Material Culture and Social Status in Early Modern China [1991]) has far-reaching implications for the classic works of the late Ming Dynasty on cultural consumption.

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